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Date
: 08/05/2003
Source: Department of Correctional Services
Title: Skosana: National Prisoners' Choir Competition
SPEECH BY THE MINISTER OF CORRECTIONAL SERVICES, MR BEN M SKOSANA,
MP, AT THE NATIONAL PRISONERS' CHOIR COMPETITION, Good Hope Centre,
Cape Town, 8 May 2003
Programme Director
MEC Leonard Ramatlakane
Mayor of the Cape Town Unicity, Ms Nomaindia Mfeketo
Chairperson of the Portfolio Committee on Correctional Services, Mr
Mashimbye
Chairperson of the Select Committee, Kgosi Mokoena
Members of Parliament
Chairperson of the National Council for Correctional Services,
Judge Desai Inspecting Judge Fagan
Commissioner Linda Mti
Provincial Police Commissioner Lennit Max
Members of the Western Cape Provincial Government
Representatives of Non-Governmental Organisations
Members of the Department of Correctional Services
Distinguished guests
Ladies and Gentlemen
Today as we stand on the eve of the celebration of ten years of our
freedom, we are deeply saddened by the passing away of one of the
stalwarts of the liberation of our country. Mr Walter Sisulu has
been rightly described as a pivotal figure in the development of
resistance to apartheid and a key influence in bringing us to where
we are today.
We hope and believe that the Sisulu family will take solace in the
fact that their loss and grief are shared by the whole nation and
indeed the whole world, and in the fact that he was a selfless man
who never sought public office after the ushering in of the new
South Africa but basked in the warmth and satisfaction of having
made a contribution to the liberation of all South Africans.
You will recall that Mr Sisulu spent many years in prison in South
Africa for having stood up for what he believed in. During his
period of incarceration there were no rehabilitation programmes
such as we have in our facilities today of which music is
one.
It is in this context that I am pleased to be here today to express
my profound appreciation to the organisers of this event for
inviting me to this occasion. Today's occasion is meant to
recognise the immense talent which exists in our correctional
facilities throughout the country and to showcase what we believe
is the best musical talent which subsists in our prisons.
Singing in prisons can be traced back to the 1960s when the late Mr
Sisulu, former President Nelson Mandela and many others were
subjected to hard labour working in teams at quarries. During those
days music, the lyrics of which were very carefully and
appropriately chosen, served as a source of strength and
inspiration and assisted offenders to momentarily forget the misery
and hardships associated with imprisonment. In the 90s, way after
the abolishment of hard labour, music continued to inspire
offenders, assisted them to deal with imprisonment, mended broken
hearts, and served as therapy and a soothing companion.
The competition was officially launched on 10 September 1997 at a
function that was held in Randburg. The launch was followed by the
first national competition, which took place in 1998 at the Linder
Auditorium in Johannesburg. The competition became an annual event
and in 1999, the second competition was staged, again in
Gauteng.
Because of the huge amount of work that goes into preparing for the
event, the cost involved as well as enormous security implications
surrounding the event, a decision was taken in 2000 by the National
Management Board to have the competition as a biennial event. To
also indicate the national nature of the competition, it was deemed
necessary to stage the competition in other provinces. In line with
these decisions, the 2001 competition was held in the Free State
and the 2003 is being held in the Western Cape.
Since its inception, the competition has grown in size. It started
with only three categories namely the Male, Female and
Isicathamiya. It now has five categories with the inclusion of the
Mixed and Youth categories. Because of the confusion that was
created by the word "Isicathamiya", this category has been renamed
the "Traditional Category".
The competition has indeed created a platform for offenders to
express themselves and showcase their musical talents. It is
estimated that over 10 000 offenders participated in this year's
competition at provincial levels. The winners of the provincial
competitions in different categories represent their provinces at
the national competition.
The competition has proved to be very popular not only among
prisoners but also with the community. Community members assist in
preparing choirs for the competition and are allowed to be
conductors of choirs. The participation of the community results in
the transfer of skills and empowerment of both the offenders and
members of the Department. The competition has, over the years,
enjoyed huge support of the community.
The Department has put rehabilitation at the centre of all it
activities.
This means that more than ever before, the Department is focusing
its attention on correcting the offending behaviour, equipping
offenders with knowledge, skills and attributes that would enable
them to successfully reintegrate into their communities as
law-abiding citizens. Within this new direction and paradigms the
choir competition becomes an important vehicle towards attaining
the Departmental strategic objective of rehabilitation.
The success of a project or initiative of this nature can be
measured against the objectives that were set at its inception. The
competition has succeeded in attaining the objectives that were
set. The visible teamwork and interpersonal relations that develop
among offenders and officials bear testimony to the achievement of
these objectives. The restoration of self-image of offenders and
involvement of the community are also some of the important
successes.
It is crucial that rehabilitation efforts be balanced with the safe
custody of offenders. To this effect it deserves to be mentioned
that since the inception of the competition, not even a single
escape incident has been experienced. This can be attributed to a
number of factors such the appreciation by the offenders of the
privilege and opportunities to participate in choirs that are
provided to them by the Department and the overwhelming commitment
demonstrated by officials to ensure that no escape is allowed to
take place.
In 1778, the penal reformer, John Howard, visited Rome. At San
Michele, then a prison for young men, he found an inscription on
the wall which when translated reads:
It is of little use to restrain the bad by Punishment, unless you
render them good by Training.
After having read this inscription Howard said: This is an
admirable sentence in which the grand purpose of all civil policy
relative to criminals is expressed. I tend to agree with
Howard.
In his State of the Nation Address, our President mentioned that we
as South Africans take as our point of departure, "the premise that
our success in social change and nation-building is conditional on
the progress that humanity makes in building a caring world.
Inversely, building a new and prosperous nation is itself our own
humble contribution to the well-being of humanity as a whole.
"As a contribution to building the self-image that attaches to a
proud nation, we shall continue this year with the project to build
the first phase of the Freedom Park Monument, that we hope will
stand out as an important tribute to the dignity of Africans and
all human beings.
"The self-image that we speak of includes the values that should
define us both as a nation and as its individual components. It
should also find expression in the people's contract for moral
regeneration, as we all strive to become a caring society of
up-standing citizens".
Those incarcerated in our correctional facilities are part of the
South African nation.
Imprisonment could be looked at as an extreme form of
rehabilitation, the purpose being to incarcerate individuals who
need a "timeout" from society -- a time to readjust their beliefs
and priorities. While in prison, inmates should be given every
opportunity to better themselves so they may re-enter the real
world as corrected individuals with the hopes of providing some
societal contribution.
It is a source of great pain and embarrassment to me to read
recently in the media some of the atrocities which are being
perpetrated by some prisoners on others. The acts of sodomy and
rape of prisoners should be eliminated in our prisons if we are to
contribute to a violence-free society that is devoid of harassment,
free of drugs and discourages the molestation of one by another.
Prisoners should grab every opportunity they are given on the road
to rehabilitation.
A basic example of one opportunity would be providing educational
reading materials to inmates.
Another example would be inmates who organise music groups, of
which you will enjoy the results here today. Many would argue that
giving inmates opportunities such as the ones mentioned go against
the purpose of imprisonment.
As stated before, prison sentences are intended for correctional
purposes. Prison no doubt feels like punishment for inmates, but
this sense of punishment should not come directly from their term.
It is not the primary goal. To lock prisoners up for the sole
purpose of punishment is to give up on them. If anything, it only
makes things worse.
If we are to progress towards a forgiving and peaceful society, we
must be able to allow criminals to repent for their crimes. Hateful
imprisonment only breeds a more hateful society.
The view of crime as a problem to solve, assumes criminals belong
to the community, and thus the community must, as a practical and
moral necessity, co-operate to solve their problems. The sheer evil
and destructiveness of crime, and the ability of criminals to
destroy the trust which a civilized society depends on, seems to
make such a view naive at best, obscene at worst. How dare we
assert a duty to the people who rape or kill children?
For many of us, the answer to that question comes from the Bible,
which demands our concern for both the downtrodden and the cast
out. Matthew 25:36 makes this clear, as Jesus describes the works
of the saved: "Naked, and ye clothed me: I was sick, and ye visited
me: I was in prison, and ye came to me." But even for those who do
not follow biblical injunctions, we still have a moral basis for
believing our obligations to offenders do not vanish with an
accusation or a conviction for a crime. Put simply: the guilty
never suffer alone. Their connections in the community to friends
and family do not vanish with their arrest and conviction; and
whatever we do by way of punishment affects innocent third
parties.
It is against this background that the Department views Restorative
Justice in a very serious light. It is considered a new framework
for the criminal justice system because it recognizes that crime is
primarily an offence against human relationships and secondarily a
violation of the law. The criminal justice system must focus on the
injuries, needs, and responsibilities of crime victims, offenders,
and communities. Some of the principles focused on are:
restitution, accountability, and forgiveness.
As I indicated earlier, the Department of Correctional Services is
committed to putting rehabilitation at the centre of all its
activities in the quest to transforming prisons from being
so-called "universities of crime" into effective rehabilitation
centres that would produce individuals capable of successful
re-integration into their communities as economically active and
law-abiding citizens.
It has long been our view that the arts have a useful and even
crucial role to play in the rehabilitation process in prison. The
establishment of prison choirs goes a long way to supporting this
view. Basic and key skills are of vital importance in prisons but
alongside this, the arts should be considered as something that
empowers and builds self-confidence in creative ways.
Music as art is the indication of the desire to create something
new. The ability to create anything and the realisation of such a
desire leads to a degree of high self-esteem. The added pleasure of
seeing one's music appreciated by others raises one to even higher
levels of elation.
This predicates a further desire to create rather than to destroy,
which is the ingredient of the quality we need in a rehabilitated
offender. It reveals the potential that is in our prisons to
produce professionals in music and other professions.
The creativity to which I am referring has been aptly demonstrated
by the fact that the theme for tonight's occasion which is "Music:
our soulful companion" as well as the logo are the creative work of
one of our inmates.
Music is not just a source of great satisfaction to the composer,
but it adds value to the person who sings it. It should therefore
become a source of great pride and encouragement for the offender
to know that they add value to the lives of other people.
Because of negative school experiences, many people need to find
other ways of getting into education other than through the
reading, writing and mathematical route and very often, the
creative channel is an excellent one to explore.
Many people with limited basic skills have joined the prison
choirs, realizing that working in groups can be fun and beneficial,
not just hard work and have, as a result of feeling more confident
in themselves, gone on to join other education classes.
Music is a fantastic way into education as it influences
everybody's life to some extent. In short periods of time, skill
learning and creative activity give individuals a real sense of
achievement and the performance of the work at the end of a project
adds to the immense feeling of personal satisfaction. The process
and performance restore responsibility, discipline and
individuality that can be easily lost in the prison
environment.
In many instances, groups come from very different cultural
backgrounds, which give individuals the chance to understand each
other's music on a very immediate level.
Artistic and personal friction can occur but the challenge is to
demonstrate that creating music through communication and
collaboration can bridge boundaries, encouraging and enabling
people to solve problems positively in ways that are often new to
them. Working using music gives people the added opportunity to
deal with vital aspects of social interaction and personal
development. Thus the prison benefits even the individuals taking
part.
The proven facts show that prison choirs have rehabilitative
effects. The inmate becomes calmer, learns better, learns
relationship techniques, to mention a few of these effects. The
rehabilitative effects also touch the families of the inmates. It
teaches them to work better with their families and they have
something positive to talk about with their families. It gives the
family a new outlook on their family members who are in
prison.
It is thus no surprise that researchers highlight the following
goals of music therapy:
* improve insight and expression of feelings dealing with problem
areas;
* develop healthy self-esteem and promote a feeling of
accomplishment via successful musical experiences;
* increase concentration, thought organization, and reality
orientation through structured musical tasks;
* improve interpersonal skills, trust in others, and a positive
attitude toward treatment through shared musical experiences;
* reduce anxiety and promote relaxation through music;
* improve impulse control through group experiences;
* increase self expression, spontaneity, and creativity.
In Correctional Services we were the first to concede and accept
that we are not in a position to achieve our mission without
collaborating and building partnerships with civil society. The
Department needs the active support of all stakeholders in its
endeavour to change the lives and behaviour of offenders for their
successful re-integration into society as law-abiding
citizens.
The active engagement of the community in the rehabilitation
process of the prisoner as a collective responsibility strengthens
our partnership in the treatment of the prisoner. I am happy to
note that all adjudicators here present are representatives from
civil society.
The challenge we face is to encourage changes of attitude between
the community, the prisoner and the Department of Correctional
Services. We need to create partnership forums in various
management areas, provinces and at national level with
stakeholders.
A positive attitude towards the prisoner by the community will
facilitate the absorption and integration of the prisoner in the
community after completion of their sentence.
The Department is required to provide various skills development
programmes to equip prisoners with market-related skills and
competencies needed by the production sector. Our efforts at skills
development are evidenced by the products that you see as you enter
this hall. The furniture that is exhibited has been made by the
prisoners themselves and this is proof that upon their release they
have the potential to enter the industrial sector with the
requisite skills.
It is our obligation to endeavour to remove all sorts of prejudices
against former prisoners. Our rehabilitation efforts will become
completely useless if former prisoners continue to be discriminated
against and are not accepted back to society.
These people have served their punishment and do not deserve to be
punished again. For all intents and purposes they are innocent
again.
In our Correctional Facilities there are also a number of private
choir masters assisting the prison choirs. Our own members are also
very dedicated in contributing to the rehabilitation process via
the prison choirs. We sincerely appreciate your contribution in
building a South Africa where people will act as responsible
citizens.
You are contributing to the building of a people's contract for a
safe and secure South Africa and you are assisting Correctional
Services in playing its part in the Moral Regeneration Movement of
our nation.
To all the participating choristers: Today you are showcasing the
way prisoners are able to use musical performance as an outlet.
How, through music, you are given the chance to change your ways,
to rehabilitate yourselves. May you enjoy it and may the best choir
win.
But remember, you are all winners today and when you are released,
think back to this day and be the same star in your respective
communities.
Not giving inmates things to do is dangerous. They need outlets.
They need ways to occupy their time. Some of the inmates - before
they got into music -were difficult people. Their participation in
the prison choirs changed their attitude and will most surely
assist them in their efforts to become law-abiding citizens of our
country.
These are people who are behind bars for whatever reason, and they
have to be given some kind of outlet to express themselves. For
these inmates, music is their outlet. Today's function is not
glorifying the acts these inmates did, rather, just showing that
music has the power to affect our lives, even if we are people who
have been convicted for murder and theft who are now in
prison.
The Department of Correctional Service's commitment to
rehabilitation is genuine. There's an understanding that public
protection does not just mean locking people up - it means trying
to ensure that they do not re-offend once they are released. It is
in this light that I say: If music is food for rehabilitation, sing
on.
Our members have also made us proud in their achievements in
various activities such as sport thus providing role models for
inmates.
Our successes in the sporting field have gone unrecorded by the
media at worst or at best credit is not given to the Department.
For example, no less than sixteen members have represented the
country in various sports internationally, and yet they are hardly
ever associated with this Department. Hendrik Mokganyetsi
represented the country in athletics at the Commonwealth Games in
Manchester last year, Eugene Frances at the Rugby World Cup in
Australia, Anton Classen in jukskei and many others. These are
people who are members of the Department and due recognition ought
to be given to that fact.
In conclusion, I wish to express my sincere congratulations to all
those who won in the various categories up to this stage. For those
who will win tonight, your victory should encourage those who did
not succeed this time to work even harder so that next time they
can also be counted among the winners.
My appreciation also goes to those who found the time to be with us
today and also those of our staff who worked hard behind the scenes
to ensure that this occasion has come to fruition. God bless
Correctional Services, God bless South Africa.
I thank you.
Source: Department of Correctional Services
(http://www.dcs.gov.za)