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Date: 16/11/2004
Source: Ministry of Arts and Culture
Title: P Jordan: Opening of 9th Southern African International Film
and Television Market (SITHENGI)
KEY NOTE ADDRESS BY THE MINISTER OF ARTS AND CULTURE, DR PALLO
JORDAN, AT THE OCCASION OF OPENING OF THE 9TH SOUTHERN AFRICAN
INTERNATIONAL FILM AND TELEVISION MARKET (SITHENGI 2004), Artscape
Theatre, Cape Town, 16 November 2004
Programme director, distinguished guests, filmmakers, all protocol
observed, ladies and gentlemen.
It is once again, that time of the year when the world of film
converges in Cape Town, for both the World Cinema Festival and the
Sithengi Film and Television Market, to celebrate the progress of
the South African film.
This event has indeed become a major event on the national calendar
and has grown in leaps and bounds as a forum where the world
transacts with South Africa and the region.
May I on behalf of our nation, the Department of Arts and Culture
and the Government of the Republic of South Africa, take this
opportunity to give heartfelt thanks to the Board, the management
and staff of Sithengi, the City of Cape Town, the Province of the
Western Cape, the National film and Video Foundation, the SABC, and
all those who have made and continue to make this very special
event a success.
I also take this opportunity to welcome all our international
guests, some of whom we have already entered into film
co-production and co-operation agreements with and some we are
still in the process of forging strong relations. I extend a
special warm welcome to representatives of the governments of
Germany, Italy, Nigeria, Brazil, Canada and the United
Kingdom.
In 1996, DACST (Department of Arts, Culture, Science and
Technology) published the Film Development Strategy which resulted
in the formation of the National Film and Video Foundation (NFVF),
a statutory institution that derives its authority from The
National Film and Video foundation Act No 73 of 1997 and whose main
objectives as defined in the Act in that act as:
a) To develop, promote the film and video industry
b) To provide and to encourage the provision of, opportunities for
persons, especially from disadvantaged communities to get involved
in the film and video industry
c) To encourage the development and distribution of local film and
video products
d) To support the nurturing and development of and access to the
film and video industry, and
e) In respect of the film and video industry, to address historical
imbalances in infrastructure and distribution of skills and
resources.
As government, we have over the past years galvanised consensus
about the direction for South Africa to address the cross-cutting
strategic issues in the film sector. Evidence of our commitment to
the further development of this sector is beginning to show through
various initiatives at the national, provincial and municipal
spheres of our country.
The collaboration between the Department of Arts and Culture, the
Department of Communication and the Department of Trade and
Industry, the National Film and Video Foundation and the South
African Revenue Services to formulate the South African Content
Industries Strategy must be commended for two reasons. Firstly,
this has resulted in a strategy that the National Cabinet approved
in December 2003. Secondly, that the effort was a great lesson on
intergovernmental collaboration.
The Department of Trade and Industry should be congratulated for
the recently launched Film and Television Incentive Scheme to
promote productions in South Africa. The SABC should be
congratulated for the initiatives on the content hub and for
striving to meet local content quotas.
The Industrial Development Corporation should be congratulated for
capitalising various productions. There is no doubt that their
efforts shall have a positive rub off effect on the commercial
financial sector. The Provincial Governments should be
congratulated for the initiatives that will create in time regional
film and video competencies.
Last year at this festival, the Premier of the Western Cape, Mr
Ebrahim Rasool, announced the Provincial initiative to establish
the Film City. Earlier this year the Gauteng Province called for
the Gauteng Film Indaba to set sight on the future development and
growth of the film sector. The KwaZulu-Natal Provincial Government
commissioned the feasibility study on establishing the KZN Film
Commission. I understand that plans are underway to set up such a
Commission.
To integrate the national film initiatives into one body of
information, the NFVF has set up the Sectoral Aggregate Measures
and Data Bank. We shall launch this programme in due course. Let me
take this opportunity again to thank Statistic South Africa, the
Human Sciences Research Council and all those who contributed in
making this project a success. Most of all I want to congratulate
all those organisations and individuals who have responded to our
industry survey.
Although we were satisfied with the findings of the industry
survey, we are concerned at the low response rate. Only 92 of a
possible group of over 1000 companies and individuals responded to
our survey. It is critical that we obtain reliable and up to date
information from the sector if we are to achieve our objectives. We
cannot approach government for more funding for the sector if we
cannot provide accurate figures on the state of our film industry.
Policy development requires valid data that can produce performance
indictors and other indices on the health of the sector, and where
support is required. This is critical if as a sector, we want to
speak to government with one voice. Already the Department of Arts
and Culture and the NFVF have made great strides in working with
industry organisations to obtain research data from their
membership base. We hope that this collaboration will improve as we
publish the results of such efforts.
On the continental and international fronts, the Department of Arts
and Culture is making steady progress in putting South Africa on
the global map of the film industry. The Department collaborates
with NFVF to integrate film into the New Economic Partnership and
Development (NEPAD), cultural programmes. We hope that as the NEPAD
initiatives emerge, the film business between the African countries
will grow. I hope that the Cape Town World Cinema Festival and
FESPACO will be important catalysts and premier forums to address
the African opportunities and challenges.
We are this year excited to host the Secretary-General of FEPACI,
Mr Jacque Behanzin to discuss the request by FEPACI for South
Africa,